Louis Tomlinson's Imposter borrows psych-pop swagger whilst confessing he's terrified of being found out. The performance ...

Gbnga's "2026" blends opera samples with trap beats for a socially conscious track that questions ambition before achievement ...

On Don't Be Dumb, Rocky's eight-year absence becomes the album's subject. The desperation to justify the wait strips away his effortless charisma.

Dirty Blond's Empty Of You rejects healing culture for the messy reality of wanting to unfeel someone who's burned through ...

Arlo Parks trades her therapeutic clarity for clouded desire on 2SIDED, the first glimpse of her electronic pivot on ...

Crowded House's 1986 anthem resurfaces on TikTok, but its meaning remains contested. We examine why this hopeful plea keeps ...

Drea Lake's title track from her debut album explores platonic devotion with jangly guitar and melismatic vocals that haunt.

SAÜD's "Be The Way" with Bas & The C!rcle proves diaspora identity works best when it stops performing. Jazz-laced production ...

Reuben Aziz's Shotgun blends pitched vocals with Kanye-inspired production. A 22-year-old's attempt to remain close while ...

The indie sleaze revival is here. From The Hellp and The Dare to Snow Strippers and Frost Children, these are the artists ...

"What's Going On" wasn't confusion. Marvin Gaye's question-titled songs were testimony. He knew exactly what was happening.

Bruno Mars performed in Roblox's Steal A Brainrot for 12.7M players. This is what music marketing looks like when Gen Alpha ...